1. The gender is not stereotypically used in this
extract due to the equality represented throughout; no damsels in distress
apart from you could say when she was pacing up and down at the wedding looking
nervous whereas the man clearly wasn’t. Race and nationality is not
stereotypical, we see people of a variety of different ethnicities in the
airport and then at the wedding there I almost a white side of the isle and
Hispanic side of the isle, each for the two people getting married. The female
spy represent stereotypical spies by her
changing of outfits and when they were both on the Eiffel tower the man flicks
the wedding ring towards her with such precision and accuracy and she just
catches it with ease and without looking we instantly know that they are not
ordinary people. Family, love and
marriage are strange because at the start we clearly hear that the only thing
that spies are scared of are other spies, so when two spies get marries it is
very odd and peculiar they are like two very different people falling in love,
both from being different nationalities makes for the love interest even more
unlikely, but that doesn’t stop them getting married. The families at the
wedding were all very proud to be there. The bad guys represent your typical
bad guy’s vehicles and weapons, big dark helicopters with big guns and
missiles, and then when the camera really focuses on the helicopters they are
in formation and surrounded by dark clouds indicating that they are a threat
and should be taken seriously. Love and marriage is conveyed in this extract
by the use of the iconic setting of
Paris to convey a love interest, a romantic dinner together with fireworks
going off also supports this.
Recent work on your Individual Portfolio is not here.
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